Regardless of location, we have the perfect video crew for you! Which one to choose? FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. LUTs: The in-camera LUTs still have some limitations. Posted by Janine Cannon on April 8, 2020. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. The FS7 and FX9 implement the E mount with a locking collar, which is much stronger than the flange used on the FS5 and Alpha cameras. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));Sony certainly surprised us all with just how good the a7S III turned out to be. Like for many other shooters who shoot a lot of “cinematic” looking documentary and corporate content, the Sony FS7 has been my main camera for the past 5 years. Fast Hybrid Auto-Focus System: The most loved aspect of the FX9 across the board is the auto-focus system. Highlights and Shadows Copyright © 2018 Film Crews, Camera Crews & Video Production All Rights Reserved. The closest competitor to this camera when first announced was Sony's own F5, which strangely enough at the time did not even have 4k internal recording, yet the camera body alone started at $15,999.99. The a7S III has better options with similar bitrates, putting it weirdly ahead. The FX9 also has delivered incredible flexibility in post, with footage that can be pushed and pulled very easily. Going deeper into what makes the FX9 better is in how it is positioned in Sony’s lineup. Should you opt for a locking mount? It has incredibly low noise imagery, which is kind of the original point of the S series. Upon releasing that article out to you, Sony announced its newest addition to the Sony family: the Sony FX9. Bolt offers the Sony PXW-FX9 that can be tailored to your shooting needs. Any Country. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. The FX6 looks like a mini version of the FX9, and it’s easy to compare the two to the Sony FS7 and FS5. The FX9 does have S-Cinetone and that has been considering Sony’s best when it comes to color science. Sony FX9. Having things like XLR inputs, multiple audio channels, SDI output, etc. Black compares both to help himself and everyone else figure out which is the right camera for them. It is similar between the two. Sony hit the market at nearly the same time with their full-frame mid-tier option. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Then there is a lot of undefined quality from the FX9 footage, such as pleasing highly roll-off and natural skin tones, that just do make a difference to filmmakers. The FS5 is, by Sony's on definition, a Grab and Shoot Handheld system. The use of the Sony E-Mount means you can add low cost Sony power zoom lenses or control Canon lens apertures via low cost and compact adapters, this is much harder (and more expensive) on the F5 and F55. When shooting S-Log3 the FX9 has much less noise at 4000 ISO than the FS7 at 2000 ISO. DaVinci Resolve 17 + M1 Macs – Can You Edit 8K RAW in Real-Time? Sony plans to update the exclusive 16:9 ratio later to include: UHD … The first thing that strikes you is the size and weight. The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. If you’re just using Canon still lenses then probably not. The Imageeval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0'])); Perhaps one of the most surprising comparisons has to come with the image quality and features. I have collected the currently available specification information in o… **Dust and water resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. Perhaps one of the most striking differences in image quality between the FS7 and the FX9 is the lack of noise. From the Venice, the FX9 has inherited dual-base ISO technology, meaning the FX9 can switch between shooting modes with an ISO of 800 or 4000. Here are some FX9 favorite features from our crews: S-Cinetone: The S-Cinetone is a game-changer when it comes to more appealing skin tones and a greater cinematic look for color gradation with a smoother pallet.  The S-Cinetone delivers super accurate skin tones that are a more accurate representation of what is in front of the camera, and more pleasing to the eye. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The Sony FX9 version uses an entirely different connector for the cord to the camera. Many DP’s are enjoying the new features of the FX9 that are absent on the FS7, but there are definitely some parts where the FX9 is lacking. Several cool features also won’t be available with this camera until the first firmware update- which has not happened yet. Get Instant Access! G-Master Series: Along with the S-Cinetone, the E-mount lens works great, and the G series lenses work even better now that the G-Master (GM) series will follow. Actually, I bought a second one a few years after the first one, because there was so much demand on shoots. Based on just these points it could be easy to declare the a7S III the winner. The a7S III is still closer to a generic mirrorless camera in color science. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. When Sony introduced the PXW-FX9, they were marketing it as a new camera in the Cine Alta line, and not necessarily as a replacement to the FS7, which is one of the most successful large sensor cameras in Sony history. How Different Industries Utilize Training Videos, The Changing Role of the Traveling Producer, White Balance Exposure Mode is automatic, custom, preset or manual, External 16-bit RAW recording with add-on unit, 10-bit S35 4K at 120fps to an external recorder. Another difference is the hand grip with zoom rocker on the FX9. Having now been on the market for over half a year, several of our Crews Control DP’s have tried out this new camera on corporate video shoots. “I have never owned a camera that I have used auto-focus on, but I use it on this camera!” Yasi said. “24fps is reserved for the Sony Venice camera. And it’s called the Sony FX9.Designed with the best technologies from the VENICE and A9, the new FS9 has roughly … Sony FX9 – Based on the FS7’s Success. LEARN MORE Think about it this way. Your everyday shooter will love the a7S III. Check Out this Dope After Effects Actor Replacement Technique. The standard EF mount is non-locking. I think Sony have been pretty clever with the design as … Sony announces both the FX9 and Z750 professional video cameras.. What would you get if you threw a boatload of Sony Venice and A9 parts on a table and challenged Sony engineers to make a run and gun camera? Still, there’s a lot of good in the a7S III so he breaks down all the differences. But with the world and industry changing so quickly, who knows? Sony has made something even better than the FS7. Website Designed by Home & Built by MVMG. Recording options for frame rate show where its 12MP sensor shines, as it has full-frame 4K recording up to 120p, while the FX9 is limited to Super 35mm for getting 4K 60p. With Sony’s latest and greatest mirrorless releases of the a7R II and a7S II, this line has been blurred even more, and this is the reason we set out to determine if these supposedly lower-end 4K video-recording options can hold up when put side by side with one of Sony’s professional 4K video cameras, the FS7. We've got everything else covered. **Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. That is certainly something you need to think about. Sony FX9 and the Atomos Shogun 7 Shogun 7 and ProRes RAW. eval(ez_write_tag([[300,250],'4kshooters_net-large-mobile-banner-1','ezslot_11',148,'0','0']));The FX9 is still the better choice for professionals even if the a7S III is getting everyone super excited. The FX9 with XDCA-FX9 joins the existing Sony RAW capable line-up of FS7, FS7 II, FS5, and FS5 II, which all work with the Shogun 7 to record in ProRes RAW. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9! ** *BP-U30 and XDCA-FS7 are not compatible with the FX9. Sony FX9: How It Stacks Up to the FS7. Unlike the FS7, the Sony FX9 shoots full frame, and in *6k. Hard times. Filmmaker Austin Black is a recent FX9 owner and he had to ask himself, “Do I regret buying the FX9?” Now, these two cameras are still very different, but is there enough to justify the FX9’s much higher price tag? Panasonic GH5 Can Record in 10bit 4:2:2 But What Does This Mean? The new sensor supports S-Log3 gamma as well as S-Gamut3 and S-Gamut3.Cine color space, and a new S-Cinetone color setting (it “deli… The original Canon C300 was a spectacular success for Canon, and the FS7 was a spectacular success for Sony. Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Drama in Dallas? When using Power Zoom (PZ) lenses you can smoothly zoom in and out during recording. Crews Control, Inc. Headquarters 11820 West Market Place, Suite L Fulton, MD 20759. It has just recently announced the successor to the already popular FS7, and its called the PXW-FX9.The FX9 has been crafted using elements from both the Sony Venice and the Sony … Whatever you need, we've got the perfect crew for the job. The new Sony FX9 takes the FS7’s body, but turns it into an Olympic athlete in the Sony camera line. This camera is … “I would like to see the LUT options menu improved right away,” DP Joe Lipari said. Of course, this was before the global pandemic COVID-19 shook up the world and media industry. “The S-Cinetone built-in look of the camera is awesome right out of the box,” DP Ted Yasi said. “The color science that they are using on the FX9 is light years ahead of what was employed in the FS7.”. Yet the FX9 gives this leading camera a run for its money. The handgrip that comes with Sony FX9 is very similar to the version from the Sony FS7; however, these handgrips are not interchangeable. Not Quite 24fps: A surprising aspect of this new camera is that the fps can’t make it to 24fps, while a standard iPhone can. FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E … Today, the company has announced the new Sony PXW-FX9 and the FE C 16-35mm T3.1 G wide angle zoom cinema lens, unleashing the powers of your full-frame creativity.